Shakespeare in the Park



As You Like It, photos courtesy of Théâtre Répercussion Theatre
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Summary Info Festival Story Not AvailableFestival EventsOther SourcesPractical Info Not Available

Country and Region CanadaQuebec
Type of Festival Drama
Location of Festival Multiple venues, Quebec, Canada
Festival Contact Information

Théâtre Répercussion Theatre
1006 de la montagne, suite 111
Montréal (Québec) H3G 1Y7 Canada
Phone: +01 514-931-2644
Fax: +01 514-931-4426
Email: 411@repercussiontheatre.com

Festival Description

Repercussion Theatre brings one of the bard’s most loved works to Montreal parks each summer during its Shakespeare-in-the-Park Tour.

Festival Dates July 11- August 5, 2012
Festival Links

http://www.repercussiontheatre.com/

Festival Events:

Plays 2012:
  • AS YOU LIKE IT
    Directed by Daniel Sullivan
    With Lily Rabe as Rosalind
    • Rosalind, Shakespeare’s most breathtaking heroine, and her boyfriend Orlando find themselves in the enchanted Forest of Arden, where all the world’s a stage, and where sudden infatuation is as confusing as it is beautiful. Along with other “country copulatives,” they discover that nothing transforms, redeems, or enriches experience quite as powerfully as love. AS YOU LIKE IT has everything we adore about Shakespearean comedy: mistaken identity, cross-dressing, madness, mayhem, rage, lust, laughter, and of course plenty of romance, both heartbreaking and joyous.
  • INTO THE WOODS
    Directed by Timothy Sheader Co-Directed by Liam Steel
    Music and Lyrics by Stephen Sondheim
    Book by James Lapine
    • A witch’s curse condemns the Baker and his Wife to a life without children. They embark on a quest to find the four items required to break the spell: the cow as white as milk, the cape as red as blood, the hair as yellow as corn, and the slipper as pure as gold. Will they succeed? And what happens after “happily ever after?” A Tony Award-winning masterpiece by musical theater giants Stephen Sondheim and James Lapine, INTO THE WOODS is a witty and irreverent reimagining of beloved classic fairytales: Jack and the Beanstalk, Little Red Riding Hood, Rapunzel, and Cinderella. INTO THE WOODS opened on Broadway at the Martin Beck Theatre on November 5, 1987 and played 764 performances. It earned three Tony Awards, the New York Drama Critics’ Circle Award, the Drama Desk Award for Best Musical and a Grammy Award. Directed by James Lapine, the original Broadway production featured a cast that included Bernadette Peters as the Witch and Joanna Gleason as the Baker’s Wife. James Lapine also directed the 2002 Broadway revival that opened on April 30, 2002 at the Broadhurst Theatre and starred Vanessa Williams as the Witch and Laura Benanti as Cinderella.
About the artists 2012:
  • DANIEL SULLIVAN (As You Like It Director). For The Public Theater, Sullivan directed All’s Well That Ends Well, The Merchant of Venice (Broadway/Shakespeare in the Park), Twelfth Night, A Midsummer Night’s Dream, Stuff Happens, and The Merry Wives of Windsor. Among his Broadway credits are Good People, Time Stands Still, Accent on Youth, The Homecoming, Prelude to a Kiss, Rabbit Hole, After the Night and the Music, Julius Caesar, Brooklyn Boy, Sight Unseen, I’m Not Rappaport, Morning’s at Seven, Proof, the 2000 production of A Moon for the Misbegotten, Ah, Wilderness!, The Sisters Rosensweig, Conversations With My Father, and The Heidi Chronicles. Among his Off-Broadway credits are Intimate Apparel, Far East, Spinning into Butter, Third at Lincoln Center, Dinner With Friends, and The Substance of Fire. From 1981 to 1997, he served as Artistic Director of Seattle Repertory Theatre. Sullivan is the Swanlund Professor of Theatre at the University of Illinois, Urbana-Champaign.
  • LILY RABE (Rosalind in As You Like It) is currently on Broadway in Seminar. Previously, she has starred on Broadway in The Merchant of Venice (Tony, Outer Critics Circle and Drama Desk nominations; Callaway Award), The American Plan, Heartbreak House (Outer Critics Circle nomination, Callaway Award), and Steel Magnolias (Drama Desk nomination). Her Off-Broadway and regional credits include A Doll’s House, The Merchant of Venice, Crimes of the Heart, Colder Than Here, Proof, The Crazy Girl, and Speaking Well of the Dead. Rabe’s film credits include All Good Things, Letters from the Big Man, Weakness, Aftermath, What Just Happened, The Toe Tactic, No Reservations, A Crime, Mona Lisa Smile, Never Again, and Beyond Redemption (upcoming). She recurs on “American Horror Story” and “The Good Wife,” and has guest starred on “Saving Grace,” “Nip/Tuck,” “Medium,” “Law & Order,” Law & Order: CI,” and “Law & Order: SVU.”
  • TIMOTHY SHEADER (Into the Woods Director). For Regent’s Park (Artistic Director): Hello, Dolly! (Olivier Award, Best Musical Revival; The Ned Sherrin Award for Best Musical, Evening Standard Awards); Into the Woods (Olivier Award, Best Musical Revival); Lord of the Flies; Crazy for You (currently playing at the Novello Theatre on the West End); Much Ado About Nothing; Gigi; Romeo and Juliet; Twelfth Night; The Crucible (Best Director of 2010, Whatsonstage.com Awards). Theater includes: Imagine This (New London Theatre); Hobson’s Choice; The Clandestine Marriage, Love in a Maze (Watermill Theatre); Rodgers and Hammerstein’s Cinderella, The Three Musketeers (Bristol Old Vic); The Star Throwers, Unless (Stephen Joseph Theatre, Scarborough); Misconceptions (Derby Playhouse); Streetcar to Tennessee (Young Vic); Achilles (Edinburgh Fringe First); Wild, Wild Women (Orange Tree); Arms and the Man, The Vagina Monologues, Annie Get Your Gun (National Tours); Piaf, Sweet Charity (Sheffield Crucible; TMA Best Musical Award).
  • LIAM STEEL (Into the Woods Co-Director) works as a freelance director, choreographer, actor and designer and is Artistic Director of his own company, Stan Won’t Dance. From 1992 - 2000 Liam was a core member of DV8 Physical Theatre working as a performer, assistant director and designer for the company. His numerous acting credits include work with Nottingham Playhouse; The Royal Court; Manchester Royal Exchange; Royal National Theatre; The David Glass Ensemble and 3 tours with Complicité. His theatre direction and dance choreographic work includes Ghost—The Musical (Manchester/West End/Broadway); Lord of the Flies, Into the Woods, The Tempest and The Crucible (all for Open Air Theatre); Absolute Beginners (Lyric Hammersmith); Knots for CoisCeim Dance Theatre (Best Production 2005 Dublin International Fringe Festival, Edinburgh Fringe First Winner 2006); Pericles (RSC/Cardboard Citizens Theatre Co); Strictly Dandia (Herald Angel Award for Outstanding Achievement at the Edinburgh International Festival), and Vurt (Contact Theatre Manchester, nominated for 5 Manchester Evening News Awards, including Best Production).
  • JAMES LAPINE (Book for Into the Woods). For The Public Theater: Twelve Dreams, King Lear, A Midsummer Night’s Dream, The Winter’s Tale, Golden Child and the 50th year celebration The Public Sings. Also with Sondheim: Sunday in the Park with George, Passion, and Sondheim on Sondheim.
  • STEPHEN SONDHEIM (Music and Lyrics for Into the Woods) wrote the music and lyrics for Saturday Night, A Funny Thing Happened on the Way to the Forum, Anyone Can Whistle, Company, Follies, A Little Night Music, The Frogs, Pacific Overtures, Sweeney Todd, Merrily We Roll Along, Sunday in the Park with George, Assassins, Passion and Road Show as well as lyrics for West Side Story, Gypsy and Do I Hear A Waltz? and additional lyrics for Candide. Anthologies of his work include Side by Side by Sondheim, Marry Me A Little, You’re Gonna Love Tomorrow, Putting It Together and Sondheim on Sondheim. For films, he composed the scores of Stavisky, co-composed Reds and wrote songs for Dick Tracy and the television production Evening Primrose. He co-authored the film The Last of Sheila and the play Getting Away With Murder. Sondheim is on the Council of the Dramatists Guild, having served as its President from 1973 to 1981. His collected lyrics with attendant essays have been published in two volumes: “Finishing the Hat” and “Look, I Made A Hat.”

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